Paddington Print Shop

Paddington Print Shop

Thursday, Sep 21, 2017 - Sunday, Sep 24, 2017

New York Art Book Fair at MoMA PS1
22-25 Jackson Ave, Long Island City, NY 11101

We are pleased to exhibit once again at Printed Matter's New York Art Book Fair at MoMA PS1. We are staging a show of posters by the Paddington Print Shop, foundational radical printers of 1970's London. In addition, we will be selling rare books & ephemera from our collection of 20th Century Counterculture Rarities, including works by Lawrence Weiner, Yayoi Kusama, Peter Saville, Richard Kern, and Barbara Rubin.

 Paddington Print Shop began in 1972 when John Phillips, a recent art school graduate, used his limited knowledge of screen-printing techniques to construct a home studio, where he completed freelance assignments for anyone from Roberto Matta to small local businesses, theaters, and community organizations. In 1974, offered a space at a local community center and aided by Arts Council funding, Phillips, along with Pippa Smith, formed an official print shop that ran according to the following two principles: “That it should teach people new and useful skills. [And] That it should encourage them to use those skills in the artistic or visual interpretation of their beliefs.”

Active in housing issues, squatters’ rights, anti-nuclear resistance, and radical politics, the posters of Paddington Print Shop drew aesthetic influence from those of the French May 68’ posters, 1960s psychedelic posters, and political propaganda posters of South America and the Soviet Union. With a worldview steeped in late 1960s radicalism, and especially influenced by philosophers of critical pedagogy and de-schooling like Paulo Freire and Ivan Illich, the artists at Paddington actively worked with and taught embattled and marginalized people to produce posters and art as a means for social change. Whether struggling against the Westminster City Council’s decision to sell its homes to developers, advocating for squatters, the homeless, or for a woman’s right to choose, the artists’ affiliated with Paddington sought to use public posters and art as means for changing social conditions. 

Collected here are 53 posters printed by the Paddington Print Shop, with the majority of them being designed and printed by John Phillips during Paddington’s early years. The subject of the prints includes anything from making available legal information for migrants, to promoting the people’s park (a park that included the first skatepark in England), and provide a wide cross-section of the activities of Paddington Print Shop from the mid-1970s through 1980s. Among the most compelling burst of creative energy in the realm of the political poster post-1968, the body of work created by Paddington Print Shop in the 1970s and 1980s is as fresh and relevant as it was 40 years ago.

BOO-HOORAY exhibits both at home in New York City as well as internationally. We also stage collaborative exhibitions with the Hayward Gallery and Rough Trade in London, Tsutaya Daikanyama, Hysteric Glamour, and United Arrows in Tokyo, Galleri Operatingplace in Stockholm, Colette in Paris, PopMontreal in Montreal, Mishka Los Angeles, Printed Matter at both MOCA/LA and PS1/NYC, and Gavin Brown’s Enterprise, the New York Public Library, the Grolier Club, and Milk Gallery in New York.

Boo-Hooray exhibitions have included shows featuring Larry Clark, The Velvet Underground, Ray Johnson, Afrika Bambaataa, Jonas Mekas, Ed Sanders, Linder Sterling and Jon Savage, Spencer Sweeney, Houston Rap, private press vinyl, Wallace Berman, anarcho-punk group Crass, Jason Polan, Jack Smith, cult-filmmaker Ed Wood, and Situationist Times editor Jacqueline de Jong.

The exhibitions are drawn from cultural archives that Boo-Hooray excavates, organizes, and places in institutions such as Columbia University’s Rare Book and Manuscript Library, Cornell University’s Division of Rare Manuscript Collections, Yale University’s Beinecke Rare Book and Manuscript Library, and the University of Oxford’s Bodleian Library.