New York: Boo-Hooray, 2020. First edition. Softcover. New. Item #5330
The Haitian Chronicles is a graphic and brutal history of the Haitian Revolution told across 3 plays. It is the latest work by the influential and ground-breaking playwright Douglas Turner Ward and the first play of his to be published in several decades. Though much of his earlier work has been short one-act satires, The Haitian Chronicles takes place across three long plays: The Rise of Toussaint, The Fall of Toussaint and the one-man drama, Dessalines. Previously unpublished and as yet unperformed, The Haitian Chronicles is part of Ward's political project of satirizing, dramatizing, and revealing the structures of white supremacy throughout the history of this so-called civilization. His first play, Star of Liberty, written at 19 years of age, followed the life of Nat Turner and his slave revolt. With The Haitian Chronicles Ward returns to armed Black rebellion, taking as its subject matter the first and only slave revolt to successfully establish a free state. It is a self-consciously ambitious work of astounding narrative and theatrical scope, featuring over 80 speaking roles and logistically demanding production design. The narrative onslaught chronicling the disgusting brutality of colonial French society and the bloody force it took to overthrow it overwhelms the reader and challenges one to question the structures on which society is built and the violence it continues to perpetuate.
Ward (b. 1930) is one of the central, driving forces of the Black Theater movement in the United States. After moving to New York in 1948, he became immersed in the radical political scene in Harlem, writing for The Daily Worker, and studying as an actor. He served as understudy to Sidney Poitier in A Raisin in the Sun, and began a long friendship with fellow actor Robert Hooks. In 1966, Hooks helped produced Ward’s double bill Happy Ending / Day of Absence. Following the success of these plays, Ward was asked to write an editorial for the New York Times in 1966. His article, entitled ‘American Theatre: For Whites Only?’, pointed to racism in the culture industry, and earned Ward further recognition for his political and theatrical work. With funding from the Ford Foundation, Ward and Hooks, together with Gerald Krone, founded the Negro Ensemble Company (NEC) in 1967. Writing and directing for the NEC over the next several decades, Ward worked with icons such as Paul Carter Harrison, Gus Edwards, Leslie Lee, Errol Hill, Charles Fuller, Derek Walcott and Wole Soyinka. He directed dozens of plays throughout his career including Song of the Lusitanian Bogey, The River Niger and Pulitzer Prize-winning A Soldier’s Play. Ward continues writing theater up to the present day– The Haitian Chronicles is the result of over four decades of work, a superb series of plays by an inimitable writer and artist.
Boo-Hooray proudly placed the Douglas Turner Ward Archive at Emory University’s Stuart A. Rose Manuscript, Archives and Rare Book Library in 2017. The Archive includes many working drafts of the numerous plays Ward directed and wrote, manuscript materials, and correspondence with other icons of the Black Arts.