Paris: Les Nouvelles Editions Musicales Modernes, 1959-64. 8vo, each issue perfect bound in photographically illustrated wraps. The final a double number, 16 issues in total. All issues very good or near-fine.
All issues published of one of the most important French language critical journals on jazz,
which was modeled on Cahiers du Cinema. The journal published many of the major jazz
critics of the time, such as Joachim Ernst Berendt, Gunther Schuller, Boris Vian, André
Hodeir, Frank Ténot, and Alain Gerber.