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For more than five decades, Ben Morea has been a key figure at the intersection of art and activism. Although his anarchist provocations are well documented, his artwork has only recently started to be recognized for its place in post-war painting. “Full Circle” is organized around the recurring symbol of the circle in Morea’s body of work.

The exhibition features some of the artist’s earliest paintings from the 1960s, as well as selections from more recent String Theory, Tantric, and his current Animist series spanning the 1990s to today. Accompanying the paintings is a full run of Morea’s anarchist periodical Black Mask, reflecting his contributions to 1960s counterculture and political radicalism.

“Ben Morea: Full Circle, 1964–Present” underscores the continuity in Morea’s artistic explorations and the enduring relevance of political interventions in the cultural sphere.

Curated by Daylon Orr.

View PDF Ben Morea: Full Circle, 1964-Present

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Boo-Hooray

Ben Morea: Full Circle, 1964-Present

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Trans-action, Vol. 5 No. 3, January-February 1968 [early Larry Clark published photography]

Oz Magazine, No. 29

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