Shortlist 42: Limelight
Boo-Hooray is proud to present our latest shortlist, gathering flyers and ephemera from Limelight, the mega club chain that opened in New York City for an unprecedented run of two decades before the turn of the millennium.
Boo-Hooray is proud to present our latest shortlist, gathering flyers and ephemera from Limelight, the mega club chain that opened in New York City for an unprecedented run of two decades before the turn of the millennium.
Boo-Hooray is proud to present a catalog dedicated to what makes an artists’ book, and what is not an artists’ book, or more simply, a catalog exploring the lives of rare books.
Boo-Hooray is proud to present our fifteenth catalog, comprising photography documenting filmmaking and partying at the first iteration of Andy Warhol’s Factory, along with posters and fliers from his films.
Boo-Hooray is proud to present our latest shortlist, gathering flyers and ephemera from Danceteria, the 1980s New York mega- club that strove to unite art and nightlife in the early years of the AIDS crisis and Reaganite mismanagement.
Boo-Hooray is proud to present a catalog dedicated to photography and photobooks, a survey of amateur and professional work throughout the 20th and 21st Centuries.
Check out the exhibition list for UNOBTAINIUM at the Turnbull Gallery! All of these mega-goodies are now on our website.
Boo-Hooray is proud to present Unobtainium, Vol. 2. This catalog gathers the more extraordinary items we’ve come across in the recent past. The catalog includes the first use of the Crass logo (item no. 7), the working archive for Madonna’s Sex book (item no. 1), the rare premier issue of the underground newspaper the East Village Other (item no. 21), the codpiece pants designed by former Black Panther Eldridge Cleaver (item no. 12), the banner Keith Haring made for his favorite sushi restaurant (item no. 67), and many more rare and unique ephemera.
Boo-Hooray is proud to present our latest catalog, tracing the emergence and trajectory of underground film in New York in the early 1960s to the 1980s: the organizations, screenings, and anti-censorship struggle that gathered and contextualized the films and artists into a coherent and recognizable whole; the move towards experimental, community oriented, and pedagogic video art and activism in the 1970s; and then the crossover of video art and the 1980s downtown scene. Many of the materials document not just the screenings and happenings themselves, but also the array of auxiliary organizations that nurtured and promoted the underground scene.